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Virtual International Film Club: In the mood for love
January 13, 2023 @ 12:00 pm - 1:00 pm
Film title: In the Mood for Love
Trailer: https://www.kanopy.com/en/princeton/video/219420
Watch at Kanopy: https://www.kanopy.com/en/princeton/video/219420 (PUID required)
Synopsis: Hong Kong, 1962: Chow Mo-wan (Tony Leung Chiu-wai) and Su Li-zhen (Maggie Cheung Man-yuk) move into neighboring apartments on the same day. Their encounters are formal and polite, until a discovery about their spouses creates an intimate bond between them. At once delicately mannered and visually extravagant, Wong Kar-wai’s IN THE MOOD FOR LOVE is a masterful evocation of romantic longing and fleeting moments. With its aching musical soundtrack and exquisitely abstract cinematography by Christopher Doyle and Mark Lee Ping-bin, this film has been a major stylistic influence on the past decade of cinema, and is a milestone in Wong’s redoubtable career.
About the director: Wong Kar-wai is a Hong Kong film director, screenwriter, and producer. His films are characterized by nonlinear narratives, atmospheric music, and vivid cinematography involving bold, saturated colors. A pivotal figure of Hong Kong cinema, Wong is considered a contemporary auteur, and ranks third on Sight & Sound’s 2002 poll of the greatest filmmakers of the previous 25 years. His films frequently appear on best-of lists domestically and internationally. Born in Shanghai, Wong emigrated to British Hong Kong as a child with his family. He began a career as a screenwriter for soap operas before transitioning to directing with his debut, the crime drama As Tears Go By (1988). While As Tears Go By was fairly successful in Hong Kong, Wong moved away from the contemporary trend of crime and action movies to embark on more personal filmmaking styles. Days of Being Wild (1990), his first venture in such a direction, did not perform well at the box office. It however received critical acclaim, and won Best Film and Best Director at the 1991 Hong Kong Film Awards. His next film, Ashes of Time (1994), met with a mixed reception because of its vague plot and atypical take on the wuxia genre. Read more…